Tyson, a British skilled photographer now dwelling in Manila, has been attempting to enhance his underwater images abilities since he has been unable to journey for work since final yr as a result of coronavirus pandemic. He says he would usually be operating run journey images workshops round Asia (Mongolia, Japan, Cambodia, India, and so forth) in addition to taking pictures business images and video for sports activities and business manufacturers world wide.
“I realized my abilities as a British Military Photographer. I spent 18 years within the British Military earlier than I moved to Asia to run my very own freelance images and video enterprise,” he tells PetaPixel.
This specific shoot was achieved primarily as an experiment that he might get pleasure from whereas distancing himself from others and staying secure underwater. Tyson says that originally he tried this identical idea with the Sony Alpha 7R IV however wasn’t capable of get the low-light outcomes he was searching for.
“I’ve shot some video on the a7R IV additionally, and as good as it’s, in terms of low gentle there’s simply completely no comparability to every other digicam available on the market with the a7S III. I can set my ‘low’ ISO at 12,800 which is insane and simply shoot at over 100,000 ISO with no points,” he says.
“That mentioned, in terms of stills images, the A7RIV is elegant. I’m extraordinarily proud of the A7RIV for the images aspect of issues. That is now my dilemma, as I shoot each, one is ideal for stills, the opposite excellent for all video,” Tyson continues.
Under are a number of examples of what Tyson is ready to seize throughout the day when the a7R IV is the superior alternative:
However at evening, the a7S III is the higher possibility and permits him to take images like these in addition to the video above:
In his video above, a few of Tyson’s footage doesn’t look slowed down even though almost all of it was shot at both 60 frames per second or 120 frames per second. Nonetheless, close to the top of the video, he exhibits what the footage seems like earlier than it was slowed, which actually highlights the challenges of taking pictures small, fast-moving topics like these.
Tyson’s underwater setup for the video and nighttime images along with the digicam is the Sony 90mm Macro, a Seafrogs housing with a macro port, and two Keldan lights.
“The one different lenses I exploit for underwater are Sony 16-35F4 and Sony 28mm with fisheye converter for fisheye kind photos,” he says.
For instance, the turtle photograph above, in addition to the free-diver cut up shot, have been taken on the 16-35mm whereas the diver hovering above the wreck and diver with digicam swimming alongside a wall have been captured on the Sony 28mm f/2 and Sony Fisheye converter in a Seafrogs 6-inch port.
“The final free diver in camo go well with is taken on Sony 12-24mm f/4, however I’m not utilizing that anymore as a little bit too large for this goal I believe — I lose edge definition an excessive amount of when shut up,” he explains.
One word that notably impressed Tyson was that Sony’s animal eye-AF works nicely underwater, even on small, unusual-looking creatures in the dead of night. Under are two 100% crops of photos above that Tyson included to indicate that the main target is sharp on the eyes:
Picture credit: Photos by Gary Tyson and used with permission.