Plants Embedded in Wax Sprout from Fragile Hands in Memory-Infused Works by Valerie Hammond




Art

#encaustic
#flowers
#hands
#memory
#plants
#wax

March 2, 2021

Grace Ebert

All photographs © Valerie Hammond, shared with permission

In Valerie Hammond’s sequence of wax drawings, security is two-fold: the artist (previously) encases dried flowers and ferns in a thin layer of wax, preserving their fragile tissues prolonged after they’ve been plucked from the underside. In outlining a pair of fingers, she moreover secures a memory, or reasonably, “the essence of a gesture and the fleeting second in which it was made.”

Centered on limbs lying flat on watercolor paper, the continued sequence dates once more to the 1990s, when Hammond made the first tracing “partly in response to the demise of an expensive buddy, whose beautiful fingers I normally found myself remembering.” She continued by working with family and associates, primarily women and youngsters, to delineate their wrists, palms, and fingers. Right now, the sequence choices dozens of works that are comprised of fingers tethered to the dried botanics, which sprout outward in wispy tendrils.

Although the delicate gadgets began as a straightforward trace, Hammond shares that she shortly began to overlay the distinctive drawing with pressed florals, creating encaustic assemblages that “echoed the physique’s bones, veins, and circulatory strategies.” She continued to experiment with the sequence by introducing diversified methods, along with printmaking, Xerox transfers, and eventually Photoshop inversions, that distorted the distinctive rendering and shifted her comply with. Hammond explains:

The works instantly inhabited an space I had been looking for, straddling the indefinable boundary between presence and absence, supplies and immaterial, consciousness and the unconscious. For me, they grew to change into emblematic not solely of the people whose fingers I had traced nonetheless of my very personal evolving inventive course of—testimony to the passing of time and the quiet dissolution of memory.

Hammond’s work not too way back was included in a gaggle current at Littlejohn Contemporary in Connecticut. Her comply with spans quite a few mediums along with collage, drawing, and sculpture, all of which you will uncover on her site and Instagram.

 

#encaustic
#flowers
#hands
#memory
#plants
#wax

 

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