Sony a7S III Gets S-Cinetone, Closing Technical Gap With the New FX3


Sony has introduced that the a7S III could be upgraded to shoot in the S-Cinetone shade house by way of firmware update available today. The S-Cinetone shade was considered one of the few differentiating components between it and the newly-announced FX3 and its inclusion right here additional closes that hole.

S-Cinetone is a shade house initially launched on the FX9 and constructed on the “shade science” out there on Sony’s flagship cinema digital camera, the Venice.

“Whereas VENICE and s709 gives photos near the movie shade present in film and drama productions, ‘S-Cinetone’ gives photos with a extra cinematic look in tone and shade for the video world. Consequently, you possibly can create richer content material in comparison with typical processing,” Sony writes. “virtually all digital cinema cameras document RAW or X-OCN after which these information are shade graded in post-production to create high-quality content material. For this workflow, s709 was developed as a monitoring search for when recording
RAW. Since the fundamental function is monitoring on set, s709 goals to offer film-like traits. The essential level is that s709 was not designed for use for the closing look of the content material, nevertheless, it may be used as a place to begin for shade grading for a lot of varieties of film and drama scenes.”

Sony developed S-Cinetone in response to the time-consuming and costly means of shade grading whereas nonetheless wanting to launch a sort of shade that will meet the calls for of filmmakers.

“S-Cinetone builds on VENICE’s widespread cinematic look with a film-like shade and pleasing rendering of pores and skin tones that has gained such a very good status in the market. However S-Cinetone is totally different in that it has been designed to shortly and simply create wealthy wanting closing content material with out the want for costly post-production,” Sony explains.

The inclusion of S-Cinetone, due to this fact, makes lots of sense on the FX3, Sony’s newest in its Cinema Line of cameras, and was considered one of only some differentiators between it and the a7S III. With its inclusion on the Alpha-series digital camera, the FX3’s fundamental gross sales proposition is, for the most half, its form and mounting factors. Whereas it may possibly shoot for even longer than the a7S III because of an energetic cooling system, the a7S III continues to be a really succesful digital camera whose taking pictures time has not been a reported difficulty and is more likely to nicely exceed most of its clients’ wants or desires.

This all appears to be by design, nevertheless. In a gathering with the press forward of its official announcement, a Sony consultant was requested if Sony was conscious of how comparable the two cameras are.

“From the standpoint of the know-how, maybe,” a Sony consultant stated. “From the standpoint of the usability, we predict they’re very totally different.”

The S-Cinetone firmware replace is accessible free of charge instantly for all Sony a7S III homeowners. It may be downloaded here.





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