By way of 9 ceramic bowls, Yurim Gough untangles the complicated narratives surrounding efficiency, look, and gender fluidity. Her identity-centric items—that are infused with layers of pencil renderings, thread, and different supplies that may require practically a dozen rounds of firing at a number of temperatures to finish—depict figures outfitted with ostentatious costumes and elaborately painted faces. Drawing on elements of queer tradition, Gough’s vessels are disruptive and revisionary, concurrently exposing the dated and constructed nature of conventional gender classes whereas reveling in the historical past of those that’ve subverted norms.
Gough’s gold-trimmed assortment might be on view as half of Salvage, a gaggle exhibition curated by Colossal’s Founder and Editor-in-Chief Christopher Jobson at Paradigm Gallery + Studio in Philadelphia. Opening tonight, January 22, Salvage shares how artists are revitalizing fragments of custom and tradition that had been destined to be misplaced, relegated to the periphery, or buried without end. The exhibition opens with a stay speak with Jobson, Gough, André Schulze (previously), and Debra Broz (previously)—tickets can be found on Eventbrite—and runs by way of February 20.
Now primarily based in the U.Ok., the South Korean artist has a background in vogue. Discover extra of her work, which features a selection of self-portraiture and issues of modern tradition, on her site and Instagram.
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