A mottled patchwork of plastic cloaks two cubes that tower over the desert panorama of Coachella Valley. Titled “The Wishing Well,” the intense pair are the work of Ghanaian artist Serge Attukwei Clottey, who created the nine-foot items from scraps of Kufuor gallons, or jerrycans, in response to shared struggles with water insecurity that ripple internationally. Resembling a yellow brick street, a paved walkway connects the 2 woven buildings that stand in distinction to the encircling atmosphere, which faces continual struggles with entry to the pure useful resource.
Clottey’s use of the fabric is tied to a bigger critique of colonialism’s enduring legacy and the methods it continues to have an effect on populations around the globe, notably in relation to the local weather disaster. Initially, European colonialists introduced Kufuor gallons to Ghana to transport cooking oil. At the moment, the plastic vessels are ubiquitous and used to haul potable water. “As repurposed relics of the colonial mission, they function a continuing reminder of the legacies of empire and of worldwide actions for environmental justice,” says a statement concerning the work that’s a part of Desert X, a biennial bringing site-specific installations to Southern California.
“The Wishing Properly” is one aspect of Clottey’s bigger Afrogallonism mission, which he describes as “a creative idea to discover the connection between the prevalence of the yellow oil gallons in regards to consumption and necessity in the lifetime of the fashionable African.” The Accra-based artist works in a wide range of mediums spanning set up, sculpture, and efficiency that take care of the broader affect of colonialism in Africa. You may see a bigger assortment of his items on Artsy and Instagram.
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